Showing posts with label Thom Browne. Show all posts
Showing posts with label Thom Browne. Show all posts

Tuesday, February 15, 2011

Live From... New York Womenswear, Day 5

Carolina Herrera







Inspired by real women, Carolina Herrera presented a ladylike collection of cowl-neck dresses, tweed caplets and gorgeous silk gowns. 



The look: Effortlessly polished

Silhouette: Feminine and streamlined

Key items: Herrera created the ideal wardrobe for a woman, with classics such as a wool-felt coat dress, black cashmere turtleneck, mélange wool coat and a slim herringbone trouser. The caplet jackets, seen with pencil skirts and wool pants, had a relaxed sensibility, as did the mohair bouclé jacket with fox sleeves, and the sheared mink coat. For evening, Herrera showed an iridescent liquid-stripe bustier dress and a silk and wool organdy trench dress over a simple crepe blouse and skirt.

Colour: Understated neutrals of dark grey, black, cocoa, gunmetal and bone, with infusions of amethyst, rust, sapphire, turquoise, primrose, clay and red

Fabric & knit: Wool felt, flannel, velvet, mohair and cashmere, with luxurious mink, bouclé, jacquard, silk chiffon, fox fur and shiny organza

Print and pattern: Organic abstract prints of feathers and waterfalls

Details & trims: Architectural fold-over collars create cape-like shapes on trenches. Fur trims on boat-neck collars and wrists made coat dresses regal. Surprise gunmetal sparkle embellishment on shoulders, low backs and waistlines add a touch of sex appeal

Footwear: Manolo Blahnik for Carolina Herrera’s velvet two-toned Mary Janes

Accessories: Suede gauntlet gloves and velvet belts



Donna Karan










Graceful and confident, Donna Karan’s autumn/winter collection is entitled Pearls of Wisdom and is all about embracing a woman’s femininity with conviction. 



The look: Urban sophisticate

Silhouette: Lean and architecturally draped and structured to the body

Key items: Chiffon and jersey blouses were worn with high-waisted tailored skirts or a bias-cut draped pant. Moleskin jackets and chiffon-edged tweed cardigans layer over double-knit jersey skirts and flowing satin skirts. Long-hair or shaved shearling coats with oversized portrait collars are strong and confident

Colour: The palette evokes the glow of pearls on the skin and includes ocean pearl, ice, face powder, blush, autumn haze, lunaraine and silver shadow

Fabric & knit: Iridescent chiffon, glossy silks, stretch viscose satin, wool jersey, felt, tweed, suede moleskin and mohair

rint & pattern: The collection consisted of completely monochromatic looks with no prints, just texture

Details & trims: Pearl and silver sequin embroidery

Footwear: High-heeled pumps and booties in polished calf, alligator, soft-grain calf and liquid satin

Accessories: Pearl and sequin embellished on head scarves and wraps, elbow-length suede gloves with shearling cuffs, slim belts, pearl necklaces, silk ribbed tights and plush shearling satchels



Chris Benz 









Doing what he does best, Chris Benz gave a surge of energy to granny chic with a tonal colour story of pale golds, pinks, blues and yellows. 



The look: Layered vintage cool

Silhouette: Slouchy and relaxed

Key items: With strong vintage references, Benz layered a washed-out floral chiffon dress with a fitted leather jacket and black sequined chiffon pants with a smoke-print shell and nude sequined-embellished blazer. Gold tapestry-print pants were styled with a matching zip-up cardigan and blush chiffon undershirt. For dressing up, a tiered ruffle dress was worn under a multi-sequined shrug, and a grey tweed skirt suit featured a feminine ruffle peplum and a fur collar

Colour: Gold, sunshine, lemon, raspberry, rust red, flat blue, black, navy, grey and camel

Fabric & knit: Metallic jacquards, felted wool, tweed, soft cotton, chiffon, satin and canvas

Print & pattern: Benz seamlessly mixes an array of prints including washed-out pink and blue plaid, gold tapestry prints, an abstract camouflage print and an eerie smoke-inspired print

Details & trims: Faux-fur trims on jackets and coats, bow ties on blouses, gold and black sequin embellishment, ribbon trims on smart jackets and cardigans, and utilitarian exposed black zippers

Footwear: Smoke-print booties, floral-print round-toe booties and basket-weave suede wedges

Accessories: Fishnets, ribbon belts, layered beads and felt witch hats



Marc Jacobs








Marc Jacobs likes to keep us guessing, and like those other great trend leaders - Miuccia Prada and Nicolas Ghesquière at Balenciaga – he moves seamlessly from one mood to another, season after season. For autumn/winter 2011 he left behind the seminal flowing 70s looks he promoted for spring/summer and gave us strict, structured silhouettes with a sharp 40s/50s bent. 



The look: Strictly retro with a futuristic twist

Silhouette: Angular, tailored and covered up

Key items: The emphasis was on shape and simplicity, with the slick below-knee pencil skirt and shell top worked in different manifestations of spots, plasticised discs like fishscales, paillettes and faux fur. Tailoring was sharply waisted, with strict tailleurs focusing on a rounded shoulder and padded hipline (a recurring theme in New York this week), often with rounded Peter Pan collars and contrast cuffs in cartoonish spotted faux furs. Dress shapes followed the rigorous formula, with high necklines, mini ruffles and long sleeves adding a demure ladylike look, while casually styled blouson jackets - maybe in shaggy faux furs with duffel closures - had a cocooning feel, topping cropped metallic jeans or full wide-legged pants. And for PM dressing, long A-line floor-sweeping skirts with strict flat-front blouses

Colour: The palette was as strict as the silhouette, playing a riff on rich winter darks such as inky midnight blue, teal, poison green, damson and black, shot with flashes of vivid red and a soft dusky amethyst

Fabric & knit: Jacobs expanded on the futuristic feel of the fabrics used for his last autumn/winter Louis Vuitton collection, with bonded moulded wools and tweeds helping create his rounded structured silhouettes. Plasticised finishes, space-age paillettes and metallic lamés added to the futuristic look creating matt-shine effects, with the more decorative appeal of faux furs, cloqués, satin, lace and flocking added into the mix

Print & pattern: Spots and more spots

Details & trims: Exaggerated Peter Pan collars, myriad small ruffles, rounded pockets at the hip

Footwear: Vampy high sandals, ¾ platform-heeled boots with striped platforms, laced ankle boots, heeled ski boots

Accessories: Pill-box hats, pouchy clutch bags, spotted hosiery and ankle socks, Gladstone-style bags, double-handle flat-bottom hand-held bags in leathers or patent



Theyskens’ Theory 







Olivier Theyskens has found his niche at Theory, elevating the brand into hot designer status as he managed to chime an American sportswear vibe with those elusive casualwear looks that shout luxurious minimalism and upmarket dressing. 



The look: Casual minimalism

Silhouette: Fluid and languid
Key items: Pants in every shape dominated, from sassy thigh-high hotpants to flared boot-cuts and full-legged pleat-front pants or tailored pantsuits. Aran-knit sweaters were bang on next season’s trend button, looking cool with frothy minis or floor-sweeping maxis. Outerwear too was a strong suit, with ankle-skimming coats or easy ¾ tie-belt silhouettes rendering a timeless appeal. Long shirt dresses were another strong item, confirming a trend seen elsewhere this week and looking quietly seductive in the finest Chantilly lace

Colour: A concise palette of shaded greys and black, with intense inky blue, espresso, olive and teal, as well as an electrifying flash of poppy red and the cool contrast of winter white

Fabric & knit: Luxe leathers, double-faced qualities, flannel, soft checks combined with the more decorative edge of fine lace, georgette sheers, velvet and panne and the casual grounding of marled jersey, denim and washed corduroy

Print & pattern: A faded abstracted scribble print worked on pale opaque grounds

Details & trims: A minimal collection, without detailing

Footwear: Over-the-knee boots, high platform courts, ankle-strap platforms

Accessories: Contrast velvet belts, chain-handled purse bags, leather belts



Zero + Maria Cornejo









With a heavy emphasis on leather this season, Maria Cornejo continued with her signature play on hard and soft contrasts, whether it was the textural interplay between leather and silk, or tailored silhouette versus blouson volume. 



The look: Easy, wearable, covetable

Silhouette: Soft cocoon-shaped volume

Key items: Bias-cut silk dresses twisted around the body to create a soft volume, with leather pieces such as cap-sleeved tees, below-the-knee pencil skirts and skinny treggings hugging the body in contrast. Oversized cardigans in elongated proportions had an easy throw-on appeal, as did the drop-shouldered camel coat. Leather skirts and shorts featured a fold-over tab detail at the front, and leather jackets were collarless and zip-through. Outerwear highlights included a shaved shearling cape and minimal coat with detachable snood hood, and a long fly-fronted commuter coat with spliced leather sleeves. A deconstructed single-sleeved tuxedo arrived for evening, featuring a cutaway rever on one side and a bugle-beaded wide lapel on the other
Colour: Rich tan, classic camel, hints of old gold and warm sunshine yellow, ash and putty greys, black and white, single pops of electric blue and bright lipstick red

Fabric & knit: Vegetable-dyed leather, shorn shearling, fringed loop wool, ribbed knits, llama wool, geometric jacquard, printed silk, watery silks, gold lacquered tweed

Print & pattern: An overblown digital fur print, a photoreal bookshelf repeat, diffused degradé in burnt shades of yellow gold

Details & trims: Off-centre closures, contrast leather coat sleeves, feather trim at the bust of a silk dress
Footwear: Ankle or mid-calf length boots with wide top lines

Accessories: Snood hoods, satchels, a circular flat disc bag, a triangular pieced construction bag, hair and wire collar necklaces, hair fringe cuff



Thom Browne 









The synergies between Thom Browne’s menswear and womenswear collections are clear this season, as the designer went all out for colour-clashing checks and proportional layering, while moulded ovoid and hourglass silhouettes exaggerated the female form. 



The look: Hourglass ladies with a preppy twist

Silhouette: Sculpted ovoid and hourglass versus long, lean and layered

Key items: Signature cropped pants and short blazers in mismatched checks, worn with traditional shirts and ties and neat striped cardigans. Shrunken tailored jackets featured flared peplums and were layered over columnar button-through midi-length skirts. Cropped capes with gold military buttons or long A-line zip-through coats were outerwear highlights, while ovoid cocoon coats, hourglass-shaped zip-through dresses and puff-sleeved tops worn with moulded tulip skirts were playfully satirical

Colour: Trademark red, white, blue and green, with traditional camel, navy, grey and black

Fabric & knit: A plethora of plaid checks, brushed mohair, wool, flannel, fine wool suiting, slubby tweed, striped cotton shirting, PVC, broadtail and glossy beaver in natural brown and dyed stripes

Print & pattern: Sporty and collegiate stripes, colour clashing checks, Argyle diamonds

Details & trims: Red, white and blue ribbon-tape trims, exaggerated zip-up funnel necks, appliqué bows, beaver-fur collars and trims, gold military buttons, preppy contrast blazer trims

Footwear: Lace-up heeled brogues, classic Mary Janes

Accessories: Collegiate striped ties, formal handbags, ribbed hosiery, striped resin bangles, cable-knit legwarmers, hoods

Monday, January 24, 2011

Live From... Paris Menswear, Day 4

Lanvin

Several of the week’s emerging trends were confirmed at Lucas Ossendrijver’s showing for Lanvin, where the designer played with dressed-up looks and mismatched proportional layering. 

The look: Retro glamour
Silhouette: Narrow, layered and reed thin contrasted with volume through the torso
Key items: Fluid wide-cut flat-front pants helped determine the new silhouette, teamed with narrow close-cut coats and jackets - best as a retro-styled DB or 1SB in soft washed brights or velvet. Elsewhere it was all about leggings or skinny pants and minimal knee-length tunics, styled with flat fronts (this is the season of hidden fastenings) or simple shell tops, both often layered under rounded puffa jackets for a mismatched silhouette and a play on proportion. There was a sense of asymmetry too in the narrow DB coats, which came with hidden magnet closures or biker-style zips - another emerging trend this season.
Colour: All shades of grey, black and inky navy, alabaster, camel, soft khaki or olive, washed brick and mallard green, taupe and aurbergine
Fabric & knit: Like many designers this season, Ossendrijver opted for bonded fabrics to create a sculpted silhouette. He offset that with luxurious flannels and cashmeres, tweed, leather, velvet and satin
Print & pattern: A grey and camel fragmented geometric pattern, teamed with a coordinating print that was overprinted in darker grey
Details & trims: Flat-fly fronts, hidden magnet closures, epaulettes, contrast facings
Footwear: Loafers in grey or tan leather or suede; pale leather hiking boots
Accessories: Striped club ties, narrow bow ties, document cases, toning gloves (newest in pale colours), felt fedoras


Yves Saint Laurent


A more youthful look underpinned the Yves Saint Laurent autumn/winter collection, as Stefano Pilati opted for a reed-thin silhouette with subtle Edwardiana teddy-boy influences, contrasted with overscaled outerwear.

The look: Young blade
Silhouette: Reed thin and elongated contrasted with big, overscaled, boxy outerwear
Key items: Tailoring formed the core of the collection, reworked as high-buttoned 2SBs, creating the illusion of a longer jacket length. Contrast trims and high-set narrow shawl collars lent the look an Edwardiana-inspired teddy-boy feel. A contrasting silhouette came in the form of lean DBs with narrow six-button placements. Pant shapes were cropped and narrow, contrasting with boxy square-cut outerwear shapes featuring Pilati’s new sloping shoulderline - a look that also transcended to his tailoring. Coloured plain-dye shirts - with micro collars - and fine-gauge knits completed the look
Colour: A palette of shaded greys, black, pine green, aubergine and tonal navy blues, from ink through to softer French navy, highlighted with accents of absinthe, old gold and pumpkin used for shirtings and fine-gauge knits
Fabric & knit: Felted wools, shadow checks, cashmere and flannels
Details & trims: Contrast velvet collars and pocket details, narrow revers and shaved shawl collars
Footwear: High-shine shoes on a heavy patterned unit

Acne

A surprisingly low-key look from Acne, with underplayed tailoring and an emphasis on the long-line coat , which when teamed with simple knits created a youthful sartorial appeal. 

The look: The Acne boy grows up
Silhouette: Long-line and classic
Key items: The long overcoat was a key feature, worked as classic DBs or even as a reproportioned duffle, layered over narrow cropped and cuffed tailored pants. Tailoring was another key option, coming as low-break SBs or with a narrow shawl collar, teamed with fine-gauge knits in winter brights. Contrasting shirt tails peeped from under sweaters or sweatshirts, baring travel-destination logos such as Rio de Janeiro, Paris and New York. Fine-gauge twinsets were another key look, with asymmetric detailing
Colour: A classic palette of charcoal, black, alabaster and camel, with accents of raspberry, bright turquoise, pumpkin and cobalt
Fabric & knit: Bonded wools, herringbone tweed, cotton shirtings, wool twill, marled sweatshirting. Fine-gauge and lofty heavy-gauge knits
Print & pattern: Travel-destination logos on sweats
Details & trims: Shawl collars, low-break points
Footwear: Chelsea boots in leather, or patent classic oxfords
Accessories: Soft shoppers, document cases

Bill Tornade


Bill Tornade was marching to a military beat this season - one with a Scottish tune, as traditional tartans clashed with army greatcoats and battle jackets.
The look: The tartan army
Silhouette: Neat but relaxedKey items: The DB greatcoat, ¾ trench and DB military battle jacket or reefer - some with luxe fur collars and a horizontal zip at the hem band. Kilts offered an alternative to the narrow cropped cuffed pants that ran through the collection teamed with novelty knits, knitted shirts, casual jackets or neat SB tailoring.
Colour: Black and grey, khaki and camel, scarletFabric & knit: Traditional tartans, flannel, waxed cottons, leather
Print & pattern: Woven plaids, a trompe l’oeil intarsia featuring braces
Details & trims: Military badges, safety pins, zips on shirts and running horizontally round the hip of a greatcoat or the waistband of jackets
Footwear: Chelsea boots, laced military boots
Accessories: Satin scarves adorned with safety pins

Paul Smith


There was an easy casualness to Paul Smith’s latest menswear offering, his signature tailoring offset with baggy cardigans and untucked, raw-edged shirts. 

The look: Thrown-together nonchalance
Silhouette: Slim-legged and casually layered
Key items: Long quilted parkas with shearling hoods; duffel coats with off-centre toggled closures; tailored crombies with zipped feature collars; baseball jackets and sloppy oversized cardigans layered atop patchworked print or collarless chambray shirts. Tailored trousers are lean and cropped or long-rise and generously cut, while casual options include motocross-style zipped pants and tapered chinos. Long, thick knit cardigan coats featuring dressy peaked lapels
Colour: Camel, sky blue, silver and a range of mid-level greys, with pops of titanium blue, sunshine yellow and vermillion
Fabric & knit: Flannel, micro-check wools, chalk-stripe suiting, chambray shirting, cashmere blends, mohair, marled yarn knits, tufted teddy furs, waffle-like textured knits, leather, suede and shearling
Print & pattern: Grayscale animal print, faded marbling, spliced and patchworked prints, polka dots
Details & trims: Shearling hoods, raw-edge shirts, spliced leather jacket sleeves, oversized popper fastenings, knee patches, triple zipped knee details, toggles, zip-trimmed shawl collars
Footwear: Lace-up boots with double-buckled contrast leather ankle strap, derby ankle boots, plain pull-on boots
Accessories: Squashy unstructured totes and holdalls, knitted fishermen’s beanies, retro goggle-like sunglasses, wishbone pendant

Thom Browne 

The 18th century is rich pickings for a designer partial to a cropped trouser or two, and as such Thom Browne revelled in breeches and knickerbockers for winter. Couple that with layered coats, long capes and pouffy leg-of-mutton shirts, and it’s a recipe for fashion-themed high jinks. 

The look: 18th century eccentricity
Silhouette: Voluminous puffs and cuffs
Key items: Historically inspired breeches and knickerbockers, floor-sweeping coats, edged frock coats and puff-sleeved shirts. High-breaking 4SB crombies were slim and neatly tailored, while blazers and jackets were short and shrunken. Sleeveless jackets and blazers with spliced or contrast-knitted sleeves were on trend; tailored trousers were cropped and cuffed
Colour: Signature red, white and blue; mid-level greys, white and black; grass green and burgundy
Fabric & knit: Mix-and-match checks including plaids, Argyle diamonds, windowpane and gingham; astrakhan, ermine and curly lamb fur; mohair, velvet
Print & pattern: Signature woven checks, double stripe
Details & trims: Speckled feather trouser cuffs, red/white/blue striped ribbon trims, contrast sleeves sometimes knitted
Footwear: Plain zip-up ankle boots, lace-up army boots, monk-strap shoes
Accessories: Buckled gauntlet gloves, cable-knitted snoods, shrunken pork-pie hats, top hats and canes, chunky knitted scarves and headbands, collegiate striped ties, wire-framed round sunglasses in two sizes