Showing posts with label Valentino. Show all posts
Showing posts with label Valentino. Show all posts

Wednesday, March 9, 2011

Live From... Paris Fashion Week, Day 8

Chanel


Over the past few seasons there have been icy glaciers and ornamental gardens complete with gushing fountains, as Karl Lagerfeld strives to put on ever more theatrical shows at Chanel. This time round it was a charred and smouldering forest, the models picking their way across it dressed in signature tweed layers, their wide-legged pants rolled up to avoid disturbing the swirling fog. 

The look: Protective winter dressing

Silhouette: Sturdy and masculine

Key items: Lagerfeld’s leitmotif was for jackets faux-layered over other jackets – short, boxy Chanel styles over tailored blazers or a four-pocket wool bush jacket, a tweed bolero over a slim-fit crombie, or a short sequinned jacket over a tux. These were paired with either triple pleat-front wide-legged pants with ankle-swinging turn-ups, or super-skinny black jeans. Skirt suits comprised collarless jackets with dropped sleeveheads and asymmetrical closures, and short A-line skirts, while cocktail dress were short and fluted with puff sleeves. There were tweed capes including a couple of floor-sweeping maxi options, and shirts with high pie-crust frilled collars that tapped into the season’s Victoriana looks, while evening gowns and dresses were replaced with no fewer than 15 jumpsuits - in lace, quilted leather, bulky tweed or Chantilly lace over satin, many with oversized cloverleaf lapels, large patch pockets and asymmetrical biker-style zips

Colour: Charred black and a host of smoky greys, with hits of red and teal

Fabric & knit: Slubby tweeds, bouclé, dense wools, basket weaves, houndstooth, glitter knits and Lurex-shot tweeds, tinselly fil coupé, looped wools, shearling, shredded chiffon, black organza, Chantilly lace, crinkled and scratched black denim

Print & pattern: Heraldic flowers and shadowy leaf patterns

Details & trims: Looped wool, tufted and shredded tweed, diamond quilting, chiffon appliqués, laser-cut fabric leaves sprouting from necklines, high pie-crust frilled shirt collars, dropped sleeveheads, jewelled buttons, patch pockets with fold-down corners

Footwear: Lace-up bovver boots with chelsea gusset and slouchy contrast material cuffs, short biker boots, low-heeled satin courts (US: pumps), metallic shoes and boots with popper studs and spectator toes

Accessories: Multi-strand chain chokers in blackened silver metals, gold cuffs; fingerless gloves in either thick ribbed knits or fine lace, tweed corsages, quilted leather waspie belts; chain-handled bags

Alexander McQueen



After rumours emerged Kate Middleton may wear a McQueen wedding dress for her forthcoming nuptials, all eyes were on Sarah Burton’s latest collection, picking it over for clues as to what the royal wedding ensemble will hold. And she didn’t disappoint, basing her couture-like collection on “an ice queen and her court”, including several white gowns sure to get the royal seal of approval from any fashion-conscious princess. 

The look: Royal couture

Silhouette: Hourglass-shaped bodies and fit-and-flare skirts

Key items: This was about as far from a commercial collection as you could get. There were no retail-ready key items as such - each piece a made-to-order work of haute couture. There were nipped-waist coats with fur skirts, skirt suits with body-con jackets and skirts with zipped splits and godets, zip-through dresses with cutaway halternecks and leather harnesses, or others with chiffon bishop sleeves. There were body-con sheaths with corset-laced details binding skirt splits and plunging necklines, and a fit-and-flare coat with reinforced shoulder plates and a dropped-waist flare, that shape following through to a high-necked and corseted fit-and-flare drop-waist dress, with a tutu-like skirt made up of bands of millefeuille shredded chiffon and diamond lattice pleating. But what will get everyone talking were the white wedding-worthy gowns, the details of which will be picked over by anyone speculating on Kate Middleton’s rumoured McQueen wedding dress. There was one with a leather halterneck harness and fluted skirt with a frothy band of marabou feather, another with a high neck and split bishop sleeves, the columnar dress made of frayed-edge chiffon strips, and two halterneck options with frothy dropped-waist skirts - surely the frontrunners for royal favour

Colour: Black, white, lilac and pale grey

Fabric & knit: Tweed, knitted fur, feathered fox, silver fox, marabou, kidassia goat hair, chiffon, satin, leather, waffle-like embossed textures

Details & trims: Signature peaked shoulders, moulded waists/hips, high necklines and cuffed sleeves; zips as seams or godets, string corset-lacing, cutaway shoulders, bishop sleeves, funnel necks, leather harnesses, sheer inserts, ruff-like diamond lattice pleating, regimented stripes of crystal studs, millefeuille layers of frayed chiffon strips, shaved diamonds of fur, basket-woven leather, embroidered heraldic breastplate motif, jewelled studs

Footwear: Ghillie-laced boots in over-the-knee or calf lengths, exaggerated-platform peep toes or strappy sandals decorated with white beads or jewelled tufts of chiffon

Accessories: Waist-cinching belts and triple-buckle girdles, leather harnesses; chokers, either sheepskin-lined or studded leather; short fingerless gloves or over-the-elbow fetish leather gloves

Valentino


Possibly one of the finest collections presented in Paris this week, designers Maria Grazia Chiuri and Pier Paolo Piccioli injected the girlish sexiness they have perfected for after-six into elegant yet youthful daywear full of short lengths, pretty lace and unashamed feminine charm. 

The look: Sweet femininity

Silhouette: Short daywear lengths, softly waisted fit-and-flare

Key items: There was a new concentration on daywear, which included above-the-knee dresses with wool skirts and ribbed knit tops, cardigan jackets with ribbed sleeves, sheer blouses or crewnecked sweaters paired with delicate pleated skirts and a couple of great shirtwaisters - one a particular highlight in cream laser-cut leather with sheer sleeves. There were perfectly tailored trousers, while a couple of neat longline DB jackets, a slicked leather trench, banded fox-fur coats and a wrap coat with wide portrait collar comprised the sensible outerwear offer. The demure/sexy interplay that Chiuri and Piccioli have made their own at the house arrived in the form of flirty cocktail dresses, including one with a fine Chantilly lace halterneck bodice and dropped-waist pleated leather skirt, a couple of fit-and-flare dresses with lingerie-inspired straps and bra cups, and a leather bandeau traced with a lace grid inlay. For evening, lengths hit the floor, with delicately wafting maxis in printed silk chiffon

Colour: A palette of cosmetique nudes and blush pinks dominated, tempered with black, inky navy and chocolate brown, and a single hit of mallard green. For evening there were highlights of turquoise and washed chartreuse

Fabric & knit: Ribbed knits, cashmere wools, chiffon, dotted point d’esprit, several types of fine lace, short tiered feathers, banded fox, glossy calfskin

Print & pattern: Printed tweedy trompe l’oeil plaid, trompe l’oeil all-over feather print, speckled and dotted patterns

Details & trims: Leather edge trims, pyramid studs, sequinned zigzags, lace inserts forming grid patterns, placement lace florals, pieced and patchworked lace, signature rosettes in quilled fabric or new in feathers, covered buttons, self belts

Footwear: Tall boots in plain leather, snakeskin or lace overlay, elegant thick-strapped Mary Janes 

Accessories: Small leather bags with long shoulder straps, studded fold-over clutches, skinny snakeskin tubular belts with metal clasp, feathered chokers

Thursday, January 27, 2011

Live from... Paris Haute Couture, Day 3

Elie Saab


A new demure look from the Hollywood A-listers’ favourite couturier, as red-carpet glamour got the fragile feminine treatment in a palette of watercolour pales and deliciously decorative but understated fabrics. 

The look: Delicate femininity
Silhouette: Soft folds and drapes falling from a natural waistline or a higher-set waist
Key items: The dress formed the core of this collection, coming as sweeping red-carpet gowns, or short and full-skirted with a grosgrain ribbon-spanned waist. Silhouettes veered from long and fluid in shimmering sequins to softer gathered mouselline spliced with lace godets. Self-coloured silk petals and corsages trimmed hemlines or emphasised a one-shouldered ruched bodice, while sheer tops featured demure boat necklines and long sleeves. There were variations on the look, with graceful ruched and draped effects, slashed -to-the-thigh hemlines, and a simple pencil skirt and lace jacket combo
Colour: A fragile palette sequenced into separate passages on the runway, opening with delicate balletic poudre pinks, morphing into soft lilac, a warm raspberry and then into the cooler shades of green-cast anise, alabaster and black
Fabric & knit: This was a collection dedicated to after-six dressing, with the emphasis on delicate tulles, lace, organza, silk chiffon and mouselline, crystalline embroideries and shimmering all-over sequins
Print & pattern: A fragile watercolour floral on a chiffon ground
Details & trims: Grosgrain ribbon sashes, pintucks, applied self-fabric petals, bunched corsages, lace godets and edging, beading and embroidery
Footwear: Colour coordinated high platform sandals

Valentino 


Lighter-than-air silhouettes and delectable femininity were the hallmarks of the Valentino haute couture showing, where designers Pier Paolo Piccioli and Maria Grazia Chiuri proved they held the house’s DNA close to their hearts.

The look: Whisper-light and delicate
Silhouette: Waist-skimming weightlessness
Key items: Long, floor-grazing skirts were cut with a delectable fluidity or came with weightless pleats, teamed with demure bloused tops, maybe sporting a beaded cut-work yoke or delicate beading on sheer grounds. Dresses had the same effortless sensibility, with wafting plissé or knife-pleat skirts in organzas and gazar, falling to the knee from an organza ribbon-tied waist. Millefeuille gazar bias ruffles etched the neckline of a reed-thin flared coat or trimmed a gently fluted sleeve, and for evening cloud-like evening gowns trimmed with ripples of organza, appliqué petals or overlays of the finest Chantilly lace
Colour: A barely there palette of fresco-tinted pales that spanned from ivory whites to the palest poudres, tea rose and faux nude, through champagne, celadon and duck-egg blue
Fabric & knit: The emphasis was on wafting weightless fabrics with silk plissé, silk crepes, pleated organza, silk chiffon and gazar, Chantilly lace and ostrich feathers
Print & pattern: A washed watercolour check, a barely there lace print, blossom petals
Details & trims: Beaded yokes, skinny rouleau belts, faggoting, ribbon ties, organza ties, applied organza petals and flowers
Footwear: Beaded sandals and ankle-strap Mary-Janes
Accessories: Delicate lace or organza butterfly chokers

Jean Paul Gaultier 


Anarchy and punk are buzz words readily associated with Paris’ enfant terrible, but in the elegant world of haute couture, such lo-fi themes must be refined. And that is exactly what Jean Paul Gaultier did yesterday, turning punk leathers into supple skirt suits, bondage straps into exquisite corsetry, and shredded threads into the finest silk fringing. Fuse all that with a splash of Parisian burlesque and you have Gaultier’s spring couture collection. 

The look: Punk meets burlesque
Silhouette: Sinuous body-conscious lines alternated with corseted tailoring and the occasional ruffle and flounce
Key items: JPG’s signature trench coats were turned into two dresses - one full-skirted with fur revers, the other a one-shouldered column in flame-red satin. Suits comprised soft pencil skirts topped with edge-to-edge jackets, while jumpsuits with matching jackets provided a new form of pantsuit - in pinstripe with ski-stirrup pants, in beaded sheer with plunging neckline, or a sequinned pinstripe. Other pantsuit options included a super-slim rainbow-coloured tux with capri pants, a corseted white suit with wide-leg pants, and an asymmetrically closing tux with wide peaked lapels covered in decorative passementerie. The cropped bomber jacket was a recurrent item. Meanwhile, gowns either featured high-low skirts and worn with pants, or strapless, long and lean
Colour: Black and white, navy with black, honey gold, flame red
Fabric & knit: Silk, satin, chiffon, pinstripe suiting, luxe jersey, crepe, organza, a rainbow-coloured jacquard, crochet lace, lurex glitter knits, a punkish laddered mesh knit, perforated and punched leathers
Print & pattern: Blue and red spots on white ground in a graduated scale, scattered petals, leopard print, falling cameos on a degradé ground
Details & trims: Decorative tone-on-tone passementerie, sequinned pinstripes on sheer, silk fringing, zippered pockets, tulle micro ruffles twisting and curling around the body in wavy stripes, tiered organza resembling signature sailor stripes, cutaway shoulders, bondage-style banding across shoulders, jersey knots and twists
Footwear: Ankle-cuffed courts, tall T-bar courts, mules with clear Perspex platforms and heels, crocheted mules
Accessories: Chokers, punkish ear cuffs, long leather gloves, feathered headdresses, fishnet tights

Wednesday, October 6, 2010

Live From... Paris Fashion Week, Day 7


Kenzo


Celebrating the 40th anniversary of the Kenzo label, current designer Antonio Marras opened with his summer 2011 collection, which focused on Japanese-influenced layering and signature prints before closing with a finale of heritage Kenzo pieces. 
The look: Breezy summer dressing
Silhouette: Draped layers
Key items: Layering was the motif for dressing, with tiered tunic tops, baggy pyjama pants and unstructured bed jackets a key combination. Elsewhere there were trapeze-line tent dresses in maxi and midi-lengths, vest tops with low-scooping necklines exposing satin bra tops, panelled long-line sleeveless coats, cropped knit tops, cardigans and sarouel shorts
Colour: Salmon pink, aqua, lilac, cream and white, with a final passage of Japanese indigo blues
Fabric & knit: Silk, cotton, linen, satin, jersey, chiffon, denim, drapey knits, Fair Isle
Print & pattern: A key part of any Kenzo collection, this season saw a typical patchworking of prints, including micro freehand stripes, a mosaic-tile geometric, linear cross-hatching, informal gingham checks, a Hokusai wave motif and an abundance of florals - stylised all-over florals, sparse ditsy florals, a chintzy wild-rose bloom, silhouette florals, and signature Kenzo-style forals
Details & trims: Drawcord ruching with aglet-tipped trainer (US: sneaker) laces as the strings, floral appliqués on sheers, floral beadwork and embroideries, baseball jacket-style collars, unbuttoned henleys
Footwear: Platform geta-style sandals with padded strap


Valentino


Pier Paolo Piccioli and Maria Grazia Chiuri have proved themselves to be the assured custodians of the Valentino legacy, magically managing to encapsulate the master's light tough in a collection full of barely there ethereal dresses and ladylike suits, which had a new youthful feel to them. 
The look: Chic ingenue
Silhouette: Short, youthful and weightless
Key items: A slightly higher waistline transformed chic little dresses and tailleurs into a new youthful silhouette, worked with undulating bias ruffles everywhere, from tracing the front of a shirtdress, to a shoulder flounce, or skimming the front of a shorts suit. Lace blouses, organza tunics and lace skirts only added to the lighthearted feel
Colour: Black and white with smoke grey, a whisper-light pale cappuccino, sand, watermelon and a shot of signature Valentino red
Fabric & knit: Weightless silk chiffons and organzas, delicate lace, ribbon lace, embroidered lace, satin, leather, cotton, denim, spotted organza
Details & trims: Contrast piping, self ruffles, gold embroidery, sequins
Footwear: Ankle-chain flats and low-heeled courts
Accessories: Long strapped envelope bags, rouleau ties as necklaces, whippet-thin belts or narrow ribbon ties at the waist


Alexander McQueen


Having worked with Alexander McQueen for 15 years, Sarah Burton's design style must be intrinsically fused with the late designer's specific aesthetic. That symbiotic work undoubtedly led Burton to this collection, which read like a scrapbook of individual Alexander-infused pieces, instead of a cohesive story. Exquisite and couture-like, yes, but new and forward-looking? Not really. 
The look: A medley of exquisitely worked McQueen signatures
Silhouette: Fit-and-flare, hourglass
Key items: Signature pieces formed a medley of McQueen motifs, including the tailored frock coat worn with ruffle-neck blouses, panniered dresses with high funnel necks, and even a reworking of the skirt suit from the designer's famous Plato's Atlantis collection, with its folded collar and elliptical sleeve. Elsewhere, high-collared band jackets were worn with skater skirts with ruffled godet inserts, hipster fly-front pants were cropped and flared, jackets and gilets were cropped with cutaway closures revealing the midriff, and there was a pastoral section with a corn-dolly dress and a bucolic off-the-shoulder milkmaid dress in white broderie
Colour: Onyx, chalky white, antique gold
Fabric & knit: Silk, silk chiffon, gabardine, metallic jacquard, open-stitch mesh knits, tulle, broderie anglaise, embroidered sheers, laser-cut and tooled leather, snakeskin, suede, printed and clipped feathers, long pheasant feathers, soft marabou
Print & pattern: A detailed medieval floral in red and gold on black ground, a shaded yellow-gold printed sheer, a grey-black degradé
Details & trims: Exquisite and intricate embellishments including tooled leather leaf appliqués, gold fern-leaf embroideries, beetle-black micro-bead embroidery, gold bugle bead, and braided embroideries resembling corn, buttons used as beads, silk fringing, millefeuille chiffon, and printed feathers made to look like Monarch butterfly wings. Other details include oversized godets, peaked and slashed shoulders, slashed midriffs, high collars, whip-stitching and raw unfinished hems
Footwear: Studded sandal boots with ski-hook style lacings, square toe-capped buckled ankle boots, peep-toe T-bar sandals
Accessories: Waspies and wide waist-cinching belts in tooled leather with Western metal-tip buckled straps


Chanel


Karl Lagerfeld was in fine fettle on the penultimate day of the Paris shows, presenting ever-evolving variations on the classic Chanel suit, which this season took on a weightless aesthetic thanks to the designer's preoccupation with new fabrications. New proportions were also brought into play, helping make this a rejuvenated showing. 
The look: Last Year at Marienbad, which was the inspiration for the collection
Silhouette: Softly unstructured, longer skirt and dress shapes created new proportions
Key items: The Chanel suit manifested itself in new variations, including tiny short and jacket combinations that brought a new youthfulness to the house. Subtle A-line jackets looked new, along with wrapped silhouettes and a longer, fuller skirt proportion, which came teamed with jackets or as a soft smock-dress silhouette. Narrow jeans, boxy tee-shaped tops and soft dirndls, easy bath-wrap coats and knitted two-piece dressing were other new looks, while for evening it was all about a longer, fuller dress shape falling from a raised waistline.
Colour: Black and white formed the crux of the palette, highlighted with dabs of soft red, palest pastel pink, baby blue, aqua and lemon. Flashes of purple and brighter pink in prints
Fabric & knit: Weightless summer tweeds came with raw, ravaged edges, distressed, hole-pitted denims and drills, degradé or burn-out effects, delicate lace, silk chiffon, feathers
Print & pattern: A boldly coloured floral worked on a black ground, a diffused random abstract on muted brights on a white ground, a black and white floral all-over
Details & trims: Raw edges and fringed effects , tweed appliqués, braid trims, feathered hemlines, beading
Footwear: Low wedged sandals with laced details, cut-out shooties, flat unstructured tweed ankle boots
Accessories: Necklaces composed of multiple chains, long tasselled earrings, signature fingerless gloves, leather stocking boots, large squashy quilted envelope bags, small-scale chain-handle bags, fringed bags and fringed necklaces, jewelled cuffs